The teeming metropolis of Kinshasa is home to the music some folks call Congotronics, although that name is a bit too reductive to describe what's going on. The artists in question may or may not be using electronics, but they are tapping into traditional rhythms from all across their vast nation, as did the founders of Congolese rumba more than a half century ago.
But it's a new era for better or worse (for many in Kinshasa, a lot worse) and bands like Kin'Gongolo Kiniata ("the sound that crushes" in Lingala) with their MacGyvered homemade instruments fabricated from trash and their thoroughly punk-rock attitude are what Kinshasa sounds like in 2024. You'll hear Kin'Gongolo Kiniata's new single this week on Global A Go-Go, along with a couple of their predecessors.
Also this week (Sunday November 24, 1:00-3:00 PM on WRIR, for two weeks afterwards at wrir.org/listen, and any old time at my podcast site): An all-African first hour featuring new music from Aboubakar Traoré & Balima and Dogo Du Togo & The Alagaa Beat Band, plus a new compilation of the best of Benin's Albarika Store record label; Leenalchi's post-modern take on Korean pansori; more Anatolian rock with Aylin's Soulgarden's debut album and a vintage reissue of Cem Karaca; and some Macedonian brass madness including a band from Indiana from the 1940s.